CHINESE POETRY

 Poetry in China became widely popular during the Tang Dynasty.  In fact, poetry composition was even added to the Civil Service Examination during the Tang Dynasty. The poetry of this era is called Shih poetry and was the dominant Chinese poetic form from the second through the twelfth centuries A.D. The main formal characteristics of Shih poetry are:

 1) There are an even number of lines

2) Each line has the same number of words (in most cases 5 or 7)

3) Rhymes occur at the end of even numbered lines

4) The use parallelism—or couplets* that are similar in structure or meaning

 In Chinese, Shih poems have the same number of characters and syllables per line. In the original Chinese form, Chinese poems were written with characters that each represented just one word. Chinese poetry is open to wide ranging interpretations because of the unique grammatical structure of the Chinese language. In classical Chinese, there are no indications of pronoun gender or verb tenses, and connecting words and even the subjects of sentences are omitted. So when connecting the symbolic meaning of the characters, there is a lot of room for interpretation.

  Traits of Chinese Poetry

Most Chinese poems are short (generally less than a dozen lines) evocations of human feeling.

    The Chinese poem is fairly simple on the surface, Chinese culture had a tendency to think of poems as something written by common humanity for the eyes of other humans.

       The poetic principle organizing the poem is often one of     contrast. Often Chinese poetry will juxtapose a natural scene with a social or personal situation. The reader of the poem sees the similarity in the natural description and the human condition, and comes to a new awareness of each by this contrast.

Poetry Hints: A couplet is two lines of a poem

( Information from World Literature, Holt Rinhart and Winston, 1993)

Poetry Terms

(Adapted from Sound and Sense by Perrine and Arp)

Types of Poems

Allegory:                       A narrative or description having a second meaning beneath the first one.

Ballad:                          A relatively short poem that tells a story.  (Folk ballads are meant to be sung; literary ballads are meant to be read.)

Dramatic Monologue:   A type of poem in which the speaker addresses a listener who does not answer.  The speaker usually discusses a crucial problem in his/her life.

Elegy:                           A poem mourning the death of an individual, usually talking about the difficulties of life in general.

Ode:                             A lyric poem has a lofty and dignified subject and style of speaking.

Sonnet:                         A lyric poem of 14 lines, usually written in iambic pentameter.  Sonnets have two different types of rhyme schemes: Shakespearean or Italian.

Structure of Poems

Blank Verse:                 Unrhymed poetry where each line has ten syllables and every other syllable is stressed.  Usually blank verse is written in iambic pentameter.

Couplet:                       Two successive line of poetry, usually rhymed, which for a unit of verse.

Free Verse:                  A type of poetry written with no orderly rhythm or meter.

Meter:                          An organized rhythmic pattern created by the repetition of the same foot throughout the poem.

Refrain:                         A repeated word, phrase, line or group of lines, that usually appears in the poem at fixed positions.

Rhyme Scheme:                        A fixed pattern of rhymes used in a stanza or an entire poem.

Rhythm:                        The repetition of stressed and unstressed syllables in a regular and organized manner.  When a pattern of rhythm is perfectly organized, we call it meter.

The Sound of Language in Poems

Alliteration:                   The repetition of sounds (usually consonant sounds) at the beginning of words in the same lime or in successive lines.

Assonance:                   The repetition of vowel sounds followed by different consonants.  These may appear in the same lines or in successive lines.

Consonance:                 The repetition of final consonant sounds or strong consonant sounds in words close together in a poem.

Onomatopoeia:                         The use of words that imitate natural sounds (“bang”)

Rhyme:                         The repetition of two words reasonably close to one another in sound. Usually the last vowel and last consonant sounds are the same.

 Ways of Speaking in Poems

Apostrophe:                 The direct address to a deceased or absent person as if he/she were alive, or to an animal or thing as if it were able to understand the speaker.  (often used with personification).

 Figurative Language:     Language that is not meant to be taken literally.  This                                includes things such as metaphors, similes, hyperbole,

 Imagery:                       The use of words or phrases that bring a picture to a                              reader’s mind; usually they appeal to the five senses.

 Irony:                           Contrast between what appears to be and what really is.

Verbal Irony:    The actual meaning of a statement is different from or the opposite of, what the statement says.

Situational Irony:               Refers to an occurrence that is contrary to what is expected or intended.

Dramatic Irony:               A situation when facts are not known to the character but are known to another character or the reader.

Metaphor:                    A comparison made between two unlike things to show a hidden connection between them.

Personification:                  Giving human attributes to an animal, object or idea.

Simile:                          A comparison of two unlike things using the words “like” or “as” to show a deeper connection between them.  (Less powerful than a metaphor)

Symbol:                        Use of something (person, object, situation, and action) to mean more than what it is.  It can be read literally or metaphorically